SUN: Renfield, 2 p.m.įRI: Book Club: The Next Chapter, 7 p.m.: SAT: Book Club: The Next Chapter, 3 p.m. W zacisznych salonach oraz znajdujcych si pod obserwacj basenach i ogrodach rozgrywa si pojedynek midzy dwoma. Musi zastpi partnera, który sta si obiektem niepokojcych plotek i z dnia na dzie znikn. ![]() Check with theater for list of choices.įRI: Thousand and One, 6 p.m. Yvan De Wiel, prywatny bankier z Genewy, jedzie do znajdujcej si pod dyktatur Argentyny. 3, 6 p.m.įRI: Book Club: The Next Chapter, 7 p.m. ![]() Movie, 3 p.m.įRI: Book Club: The Next Chapter, 6 p.m. 3, 7 p.m.įRI: Are You There God? It’s me, Margaret, 6 p.m. SUN: Book Club 2: The Next Chapter, 4 p.m. Air, 7 p.m.: SAT: Guardians of the Galaxy Vol. Based on their conversations, Yvan is clearly. SUN: Book Club: The Next Chapter, 1, 4:30 p.m. A series of powerful men who answer to even more powerful men welcome him with polite smiles, into fancy rooms, smoky lounges, and ornate gardens. SAT: Book Club: The Next Chapter, 1, 4:30 p.m. Written and directed by first-time feature filmmaker Andreas Fontana, 'Azor' takes its time introducing and exploring its setting. SYNOPSIS: Yvan De Wiel, a private banker from Geneva, goes to Argentina in. FRI: Book Club: The Next Chapter, 4:15, 6:15 p.m. Starring Fabrizio Rongione, Stphanie Clau, and Carmen Iriondo. SAT: Guardians of The Galaxy Vol.3, 6 p.m. Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World, 3 p.m. This article appeared in the September 9 edition of The Film Comment Letter, our free weekly newsletter. 3, 7 p.m.įRI: Guardians of the Galaxy Vol. 3, 7 p.m.įRI: Book Club: The Next Chapter, 7 p.m. Book Club: The Next Chapter, 6 p.m.įRI: Book Club: The Next Chapter, 7 p.m. The film will be introduced by Adam Feinstein, a specialist in Latin American cinema.FRI: Book Club: The Next Chapter, 6 p.m. ![]() With Fabrizio Rongione, Stphanie Clau, Elli Medeiros, Juan Trench, Pablo Torre Nilson. Steering clear of the well-trodden boards of blame and literal political discourse, the director, Andreas Fontana, articulately explores bystander behaviour and collective responsibility and asks whether refraining from doing something bad is the same as actively stopping something bad from happening. a feature film by Andreas Fontana, 2021, 100, DCP color. Azor is a film produced abroad, whose allusion to the conflict is somewhat oblique. These are times of political turmoil and it is not often that we get to see the so-called Dirty War – Argentina’s period of State-sponsored terrorism, part of the CIA’s infamous Operation Condor. Moving through the smoke-filled lounges and lush gardens of a society under intense surveillance, he finds himself untangling a sinister web of colonialism, high finance, and a nations Dirty War. It’s 1980, when the junta’s grip is being felt across all. Private banker Yvan arrives from Geneva with his wife Ines to replace a colleague who has mysteriously disappeared in military-ruled Buenos Aires. It’s explained late in the film that the title translatesloosely, in banking slangto be quiet. Azor: Argentina, 1980, the height of Juntas dirty war, Yvan (Fabrizio Rongione) is a private banker from Geneva who travels to the country after his banks. Private banker Yvan De Wiel (Fabrizio Rongione) arrives in Buenos Aires from Geneva with his ever-poised wife Ines (Stéphanie Cléau). With its deceptively spare, functional mise-en-scene and tamped-down performances, Andreas Fontana’s Dirty War thriller is a superlatively muted debut. Synopsis: Yvan De Wiel, a private banker from Geneva, goes to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumours, who disappeared overnight. Written By: Andreas Fontana, Mariano Llinásġ980: Yvan is a Swiss private banker who travels to Buenos Aires with his sophisticated wife Inès in order to fill in for his business partner, who mysteriously vanished there. Azor (Andreas Fontana, 2021) Money talks in Azor, but it doesn’t raise its voice. Starring Fabrizio Rongione, Stéphanie Cléau, and Carmen Iriondo.
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